- Three tiers · One studio
Three working
scopes, one
honest rate card.
Most studios bury their pricing in a “request a quote” form. We do not — every brief we have shipped fits into one of three tiers, and the rate is on the card.
3–6 · weeks kickoff to delivery · 3–5 · months booking lead · 20–26 · projects per year
- Service tiers
Editorial. Campaign.
Marque.
The tier maps to the scope of the brief, not to the brand spending. The right tier is the one that fits the shape of the work.
Editorial
From $14,000 · 1–2 shoot days
For magazine features, single-feature stories, designer portraits, and small editorial assignments.
- 1 lead photographer · 1 producer · 1 assistant
- Up to 24 retouched selects
- One round of revisions, in-house retouch
- Colour-managed gallery within 24 hours
- 3-month archive on private gallery
Tier 02 · most booked
Campaign
From $42,000 · 3–5 shoot days
The studio’s principal tier — seasonal brand campaigns, lookbooks, catalogues, multi-location architecture features.
- 1 lead photographer · 1 producer · 2 assistants
- Up to 60 retouched selects
- Two rounds of revisions, in-house retouch
- Full deliverables (master TIFF, sized JPG, print TIFF)
- 12-month archive · usage licence per use case
Marque
From $96,000 · full season
A long-form working partnership — Brivon as the single visual studio for a brand across a full SS/FW cycle.
- Lead photographer + secondary photographer
- Dedicated producer for the duration of the cycle
- Up to 240 retouched selects per cycle
- Quarterly review and creative direction
- Press & PR support for launches
All rates are starting points · the producer will quote a fixed scope after the first call · no hidden post or licensing fees.
- How we work
From the first
call to the
delivered archive.
Every project moves through the same eight phases, regardless of tier. Most campaigns take six weeks; the shortest editorial shipped in eleven days.
Discovery
Twenty-minute first call with the producer. Brief, references, working dates, audience. Free, always.
Scope
Within 72 hours: a fixed scope, fixed rate, and proposed working window. No estimate creep.
Pre-production
Casting, location lock, props, talent, light maps. The producer holds every contract, every release.
Kickoff
One-hour creative call with the lead and the brand. Agree the visual rules, agree the deliverables.
Shoot
1 to 5 days. Tethered to a calibrated monitor. Daily live galleries for the brand-side approver.
Selects
Within 24 hours of wrap, a colour-managed gallery of all keepers — ranked, captioned, ready to choose.
Retouch
5 to 10 business days in-house. Two rounds of revisions standard, more on marque.
Delivery
Master TIFF, sized JPG, print TIFF, contact sheets, signed model releases — one delivery package.
The questions
brands ask first.
These come up on roughly every third call. If your question is not here, send the producer a note.
Three to five months for Campaign and Marque, four to six weeks for Editorial. We block specific weeks once a deposit is in.
Yes — we work globally and have shot in 14 countries since 2014. Travel is quoted on top of the rate at cost; we never markup flights or accommodation.
Always negotiated upfront, never bolted on later. We licence by use, region, and duration — and we are happy to draft a buyout if the project genuinely needs one.
Yes. Both rooms are available to outside crews for a limited number of weeks per year. The Brooklyn rate card is on request — ask Felix.
No. We make pictures. We will gladly retouch, composite, and grade — but the image we ship is the image that came out of the camera.
Every campaign tier includes two rounds of revisions. If the second round still misses, we re-shoot at studio cost — this has happened twice in eleven years, and we shipped both.
Tell us the
shape of the work.
A producer will read your first note inside 48 hours on a working day, and we will get back the same week with availability and a first read on the right tier. No long form.